FONTAINES D.C.
04 October 2021
@The Cambridge Corn Exchange, Cambridge
I was excited to be out watching live music again in Cambridge. Its
been a while, but I was well prepared with NHS COVID Pass & Facemask
in hand essential items for live music attendance in the new
world! The Cambridge Corn Exchange was sold out for the Fontaines
D.C. gig. It was busy and a good sign I thought not just for the Fontaines
but also for the revitalisation of the Cambridge live music scene.
There was a proper buzz about the place, and I sensed that people
were more than ready and waiting to get into this thing tonight.
Following a lively and inspirational performance from support band
and Irish art-punksters The Altered Hours, the scene was
set. The students were gathered in the mosh pit and already climbing
on each others shoulders eager and excited. The lights went
down, and the roar went up. On walked recent Green Man Festival headliners
(and soon to be Glastonbury headliners, I suspect) Fontaines D.C.
This was my first live experience of this 5-piece alt-rock band from
Dublin and I wasnt sure what to expect. Id listened to
and liked their music but wasnt entirely sure I got it
ranting like Mark E. Smith rather than singing and poetry? The look
of them when they first walked out was a bit odd too. The guitar and
bass players all looked like cool male model types in stylish shirts
and suits (one of them was pink) and long fashioned hair, while the
lead singer, Grian Chatten, turned out in a baggy t-shirt, tracky
bottoms with short scuffed up hair it looked like theyd
grabbed him off the street outside taking him away from his skateboard.
But thankfully, as soon as they started playing, my concerns disappeared,
and I started to understand what these boys were all about.
They didnt say much and opened with the lead song
and name of their latest album A Heros Death. The
crowd reacted immediately with screams and started to synchronise
their jumping with the thumping beat and great wall of guitar sound.
I was struck by the energy and Chattens uncompromising Irish
accented discourse over the top, and they were loud, very loud.
As we got into the set the atmosphere built as the Fontains turned
out hit after hit. For a band with only two albums, it was pleasantly
surprising just how many good songs they had. Chatten was trance like
when he performed, pacing around in circles in his own world while
reciting, but never missing a beat or word. The other band members
were static apart from guitarist Carlos OConnell who twisted
and twirled in his pink suit, narrowly avoiding smacking other band
members and his amp with the guitar stem as he did so.
They built up the set turning out tracks such as A Lucid Dream
and Televised Mind from their most recent Grammy Award
winning album which were real stomping crowd pleasers and very hypnotic.
The students couldnt get enough at the front and the mosh pit
gradually grew - they all knew the words and were expectantly lining
up ready for the next mosh pit round after taking a quick breather.
It became quite chaotic. The songs were fast, melodic and trance like
held together nicely by an impressive riding rock beat provided by
drummer Tom Coll. I was liking everything I saw and heard.
Mid set they delivered I Dont Belong a haunting
and slower track with a bass line that Peter Hook himself would have
been proud of. This song was a lot more mellow and atmospheric, and
I loved it. I could see that these boys could punk it up with the
best of them, but they were also deep, very deep.
As we neared the end of the set, they threw out some bangers. Hurricane
Laughter, a fast-paced, insistent, almost-anxious track that
has you hooked from the start. Chatten sang the catchy lyrics in his
distinctive Dublin accent, Hurricane laughter, tearing down
the plaster. Repetitive, highly addictive, psychedelic guitar
riffs from OConnell building to a crescendo finish.
The tempo continued to pick up as they delivered the head banging
Too Real (where Chatten does his own spin on the Mark
E. Smith thing mid song) and the popular Big from their
first Dodrel album. The last song before they departed was the excellent
Boys In The Better Land, a tremendous rocky jangly upbeat
anthem with Chattens bouncy lyrics spinning views on Irish politics.
They then left the stage, but it didnt take much to get them
back as the students wanted more! Chants of one more song
beckoned the Fontaines back to a sweaty crowd who had been satisfied
but were just not quite ready to go home. So, they returned and did
play one more song Liberty Bell, a stomping rock tune
with Chatten reflecting nostalgically about Dublin City with his lyrics.
To me it sounded a bit like a Libertines song and was a great track
to end on, sufficient to give the mosh pit one more hit!
Now Im a big Oasis fan and I do listen and often agree with
what Noel Gallagher says, but when he starts talking about there not
being any good original rock bands anymore, he couldnt
be more wrong. These boys rock and they do it their way. They provide
something new and inspirational that grabs you and leaves you wanting
more. The punk bit works, the Irish accent and lyrical bellowing works,
the singer is aggressive but poetic, and it works, the cool guitarist
model types in their pink suits works. It all just works. Fontaines
D.C. will be helping music fans young and old all over the UK to embrace
the return of live music, and I would urge you to join in and go see
them play without hesitation, you will not be disappointed.
Words and Pix by by DAN SLY / slyboymedia@.com
Thanks to Rob at Sonic PR for sorting this out
for us