MICHAEL McDAETH- The Socket Set
I had blood taken today by a woman with really bad teeth. She asked
me if I was 'a fainter', gabbled something about George Clooney and,
before I had chance to reply, she had stabbed me and was draining
my arm. It still hurts. I don't know why I thought that seven discs
and 49 songs of anything would cheer me up. It hasn't. Michael McDaeth's
bio says that somewhere along the line 'the music started making him,
maybe'. Oh dear God. Apparently, he has broken through all the frames
of song structure and style. Then he started surfing on the Andromeda
galaxy. Shit.
Anyway, hailing from Seattle, here is a man who has
been recording and releasing solo albums on his own label 'Sophisticated
Monkey' for years, a sort of musical serial killer if you will, going
unnoticed for his torturous trail of aural destruction, remaining
at large only because no-one appears to give a monkeys about his work.
But, not to be overly critical, I have to respect his obvious need
to create. He's also written two novels and has made a whole bunch
of videos and other stuff. This box-set also comes in a plastic case,
kind of like a fake VHS cassette box, with what looks like a hand-made
note set. There are wooden-boxed versions too that are fastened with
guitar strings that were used to record it. It seems that the joy
is in the detail.
But, alas, that is where the joy ends. Not that I am averse to avant
garde. I like 'something different', I like a performance. I like
an artist that's impossible to pigeon-hole. Perhaps his songs are
just more to be appreciated live. Probably not though. The first CD
opens with the raucous 'Just die', the first line 'I'm all for falling
in love with my dolly' followed by lots of angry swearing. Where Kurt
Cobain, Sonic Youth and Mudhoney used melody and musicianship (intended
or otherwise) to create a largely chaotic, angsty sound, McDaeth just
uses a series of random chords and hungover shouting to create something
that is, by all accounts, unlistenable. Sometimes he wails (e.g. 'Stuck
in Abilene'). This is particularly bad. There are also lots of references
to someone called Lou. Occasionally, his voice sounds raw and primal,
and, for a split second, it is exciting; you can feel the energy and
drive of a man possessed by his own desire to innovate that makes
him so intriguing. There is a hint of expression. Then he starts wailing
again. I listened to two CDS out of the seven; I'm sorry but that's
as much as I could stand. This is DIY in the Nick Knowles sense of
the term. You're never going to last through a whole sitting without
wanting to smack something. My arm is now even more tense. Emotion-evoking
at least. And the sole definition of 'dirge'. SOS. SOS!
http://www.mcdaeth.com/
Anna C