EDDI READER/ DAN WHITEHOUSE
Pavillion Theatre, Worthing. 22.10.18
Worthing not the first place that you might think of as a centre
of culture but, given that I have now lived here for eight months,
it does continue to throw up gems that I have to do a double take
on when checking the listings. The Pavillion Theatre is the perfect
setting for a show like this too its faded seaside glamour
quite delightful, the weird 80s seats and curtains not detracting
from the beautiful old building that has been at the end of the towns
pier since 1926. Support act, Dan Whitehouse, is the latest to tread
the boards. Signed to Eddi Readers label, Reveal Records, and
hailing from the Midlands, he gives a confident rendition of his award-winning
classic rock/folk/country. Using a loop pedal and guitar to create
layers of sound, his voice is impressive and his song-writing charming,
often musing about love and romance but occasionally about the power
of music to overcome trauma. The cheerful melody of tracks like Work
are a nice contrast to the sadness of a letter to an ex-lover, Why
Dont We Dance?, showing off the range of emotions that
just one man alone can convey. Im here to warm you up,
he says hopefully as he gets the audience (or at least a quarter of
them) singing backing vocals for him the house lights going
up at his request so he can see whos taking part. He definitely
has his work cut out but people are smiling by the end of the set
(and not just because its finished). Very pleasant.
Eddi Reader MBE surely needs no introduction. With a
career spanning over three decades, I consider her a total living
legend and, as I indicated before, I can hardly believe that she is
here in Worthing. I have seen her once before and so know that this
is going to be a real treat. From the much loved pop of Fairground
Attraction to her classic contributions of the 90s and beyond, the
iconic Glaswegian appears this evening wearing what looks like a gold
tiara headdress and a sequinned embroidered jumper, her wild, red
hair still just as wild and red as it ever has been. Im
dressed like my Aunty Mary, she quips, one of many stories that
set the scene to the tracks she will perform. In fact, most songs
have a dedication of some sort to a family member, a comfortable nostalgia
to compliment much of the material from brand new album, Cavalier.
Joined by seven other musicians - including long-time collaborator,
Boo Hewardine, and other world class musicians from Ireland and Scotland
(not least her husband, John Douglas) the band comprises wind
instruments, a jazz pianist and an accordion, and it is an incredible
feeling to see such an intimate connection between Eddi and those
on stage with her. But what is really exceptional is that there doesnt
seem to be a set list. Instead, Eddi has a songbook on a music stand
next to her that she proceeds to flick through. Im going
to sing Love is Like a Red Red Rose, because I feel like
it, she announces of one of the arrangements from her seminal
2003 collection, Songs of Robert Burns and the band oblige
without faltering. Her vocal range is, of course, stunning and leads
what is a beautiful, high-quality performance throughout.
Then, combining humour and heartache, all of a sudden she has transformed
into her Mother, a routine that has been featured in other live shows
but still holding an untouchable spontaneity. You all need to
encourage her to sing a song. Say sing us a song, Jean,
she says and the audience play along. Reader is now standing pretending
to smoke a cigarette, having an imaginary conversation with Jeans
husband (Readers father, a self-professed Elvis Presley-tarian)
who is also trying to encourage her to sing. Sing us a song
before Uncle Donald loses his false teeth again, hen, she goes
on. Jean is still reluctant, though the audience continue
to plead. Finally relenting, what follows is incredible; the possessed
singer delivers the most perfect rendition of Moon River,
belting it out for all she is worth, the theatres mirror ball
in full swing and Jean in full diva mode. I think for
a moment that the roof might fly into the night sky; there is so much
power and energy involved. It is an unforgettable moment.
Still, it is the familiarity of Readers new material too that
makes it so enjoyable and testament to why she has become such an
enduring figure in contemporary music. She likens the energetic pop
rock of Cavaliers title track to Muds Tiger
Feet and even does the dance, while other songs are typically
melodic and soulful, writing about the everyday in a way that makes
tasks like raising teenage boys sound magical (Fishing
and My Favourite Dress, for example). She also unsurprisingly
celebrates traditional music (Old Song, and Meg
O The Glen), tunes begging for sing-songs with friends,
a true joy in creating that only artists like this - and composers
like Hewardine - can achieve. What I particularly love about Eddi,
however, is her punk rock attitude alongside predominantly conventional
song-writing she takes pleasure and inspiration from the mundane
and her own aging process but stamps all over anyones expectations
of her as a performer or indeed a woman. It doesnt matter, therefore,
that there is no mention tonight of her most well-known solo offerings,
though she does play Perfect and Find My Love
(which I used to have on a cassette alongside Deacon Blue and Bros).
In fact, I later meet her and tell her that Ive loved her since
I was eight. Nawwwww, she says. Yes, and I am sure I will
love her for a few years yet.
Words and pix : Anna C
Thanks to Jane and Edward for allowing us to see the show. Much
indebted.
http://eddireader.co.uk/
http://www.dan-whitehouse.com/site/