Looking Back In Anger...
The Last of the Real Music Journalists?
Andrew Winters looks at the strangely grumpy reaction to the Dave
Simpson's Guardian review of Liam Gallagher's Leeds gig, which you can
read here
I am fascinated by this review of Liam Gallagher live
by Dave Simpson in The Guardian with the headline 'The Last Great Rock
And Roll Star', not so much for the piece itself but for the (many)
comments by the Guardian readers and various waifs and strays, the majority
of whom obviously weren't at the actual gig being reviewed.
Simpson gives 'the gig' and Liam a five-star rating.
To be honest, seeing Liam Gallagher at Reading last year it didn't take
a rocket scientist to work out that he was home and dry. He had a point
to prove, a catalogue of Oasis songs he wasn't scared of drawing on,
and collaborated with new writers to replace his bro, who've done a
pretty good job of knowing the best musical context for Liam's voice.
'For What It's Worth' correctly highlighted by Simpson.
Pix : Tracey Welch/Rex/Shutterstock
Full size version on The Guardain website
Forget about 'the last great rock and roll star', what I am more concerned
about is the likes of Dave Simpson, who is fighting a corner against
diminishing returns as the last of the real music journos.
So on with the barrage of comments. The review was reporting what the
journalist was experiencing and setting it in context - an ARENA sold
out in a few minutes at a hefty ticket price, where every member of
the audience was engaged in collective joy at a live music experience.
This didn't appear to rely on much of a technical 'show' or need a fleet
of artics like the 1975 etc; it was just a guy, a band and a bunch of
songs.
So the comments range from how people don't get Oasis, presumably never
got Oasis, what a wanker Liam is, how all the songs are ripped off from
the Beatles and not as good as the Beatles while sounding like carbon
copies of Beatles songs... comments made by people who, lest we forget,
weren't there.
Then there are the attacks on Simpson, accusing him of buying into the
Liam bandwagon as if such a thing existed, and continuous knocks at
the his writing as if it wasn't very much measured and informed, which
it is.
Pix : Tracey Welch/Rex/Shutterstock
Full size version on The Guardain website
On the rock star front, people pile over each other to say Liam could
never be a rock star like Keef and Mick who could write their own songs
and never had to nick from anyone else. Oh hang on, hasn't Keef been
on the record many, many times, saying that the way he writes songs
is to play someone else's song, and then the muse adapts it for him.
Music, like all innovation, is always an interpretation of what has
gone before, that's why copyright has and always will be an issue.
Sorry, this has turned into another rant but my main points are:
* Anyone who can fill an arena at today's ticket prices and send everyone
home happy and more is job done;
* Guardian readers - appreciate good music journalism and encourage
it... we are facing a tidal wave of music journalists whose vocabulary
stops at "they smashed it";
* and, commandeering a quote from Jack Nicholson and using
it to my own devices,
THERE WILL ALWAYS BE MORE ROCK AND ROLL STARS!
Let Liam be the inspiration.
Oh, and keep knowledgeable music journalism alive!
Andrew Winters
This piece originally appeared as a Facebook rant
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