THE STAVES
Portland Arms, Cambridge
Three girls, pretty much all in plaid, with long flowing faery locks
and the lips of sirens, take to the tiny stage in front of an audience
mostly clothed in knitted items. There is a very bald head obscuring
the view but a picture of Frank Spencer clearly sits on stage so it
doesn't matter. The microphone stands are swathed in scarves. It's
all very Stevie Nicks. That's where the comparison ends though, despite
sharing equally as dire band names- The Staves are, after all, called
Jessica, Camilla and Emily so it was always going to be a fairly respectable
affair. Hailing from Watford, not synonymous with the upper-middle
class, Emily (the Stave most definitely dressed in plaid) attempts
to drop a few 't's to bond with the audience. There is polite laughter
around the room. Yes, a very respectable affair indeed.
However, sneering aside, they have a wonderful talent. Their innocent
shyness gives way to a mature, almost weary style of songwriting,
creating a stage presence that, although not charismatic, is thankfully
not cute either. They look at the audience through their long eyelashes
but they look like hungry witches casting a spell, slightly simpering
but savvy at the same time. Musically captivating, The Staves are
like running water or snow melting, possessing a natural grace that
is simple and comforting like the folk artists that inspired them.
Influenced by Joni Mitchell, Feist, Ryan Adams and sounding like Priscilla
Ahn or Ray Lamontagne too, they haven't even released an album yet
and they have Cambridge eating out of their hands. Title tracks from
the 'Motherlode' and 'Mexico' EPs are eagerly received and certainly
stand out- breezy vocals soothing over ukelele and/or guitar and their
two man slaves on backing band, pronunciation is clipped and the glorious
harmonies that are their speciality bring to mind the Puppini Sisters
without the swing or Wilson Phillips without the big hair. Each song
takes us on a journey on a guided walk through valleys, cornfields
and woods with dappled sunlight, occasionally breaking into a tempting
melting pot of seething rhythmic crescendo ('Wisely and slow') before
gently making it winter again ('Icarus'). A purely lovely antidote
to the cold, grey city, for the encore they are accompanied onstage
by equally as talented support artist, Christof (from Ireland via
Holland, very big hair and fabulous voice), and, as the evening draws
to a close and a pin is heard dropping somewhere in this small back
room, it is no wonder that The Staves were booked on to the Bon Iver
USA tour. Not bad for a band whose biggest achievement was formerly
having a song on an episode of 'Hollyoaks'. Gorgeous stuff.
Anna C
http://www.myspace.com/thestavesmusic